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Welcome to my ninth newsletter, posted at the very end, I suspect, of the season of mellow fruitfulness. I can hardly remember a lovelier autumn and certainly the trees in my garden have put on an unrivalled display of beauty.

Sandy Irvine
Sandy Irvine

My lecture tour "Everest Needs You, Mr Irvine", organised by Rebecca Varley from Speakers from the Edge finished on 3rd November in Andover. I even got a nice review from Nigel Vardy in Derby. Six weeks on and off the road has been tiring but exhilarating in equal measure. Sandy's story has certainly engaged those who heard it, and I don't think for a minute that interest in the 1924 Mount Everest exhibition is diminishing. On the contrary, fascination with it seems as alive as ever. Earlier in the summer I had a small spat with Tom Holzel, an American who believes that he knows where Sandy's body is lying on Everest; he intends to go and dig him up and find that all-elusive camera that will prove whether or not they got to the top. Proof? What proof? What does it prove if there is no picture of the summit? It could indicate they didn't make it, yes, but it could also be that the film was damaged, that it was dark on the summit, that Sandy's hands were too cold, that the camera jammed. It might be possible to prove they did make it, but conclusive proof that they did not make it will never exist. That is unless Sandy sat on the Second Step and wrote on a piece of paper 'bother, beaten'. Unlikely, I think.

Then there is Somervell's relative, Graham Hoyland, who wrote to me a while back saying he was sorry to have to tell me that after a lifetime of believing they had got to the summit he had now come to the conclusion they had not. Should his opinion on the greatest mountaineering mystery of all time change my life? I think not. Why should I give credit to any of the conspiracy theories and hair-brained so-called research into this story? I've been endlessly polite and patient when people ask me about it, but actually I'm getting fed up. I am constantly asked 'wouldn't you like to know if Mallory and Irvine got to the summit?' The answer is that I don't really care either way. What they achieved is so remarkable and inspiring that the last few hundred feet do not matter. And, in Hillary's famous words, you have to descend in order to be able to claim the summit. What was does bother me is people's determination to find an answer and in doing so to expose Sandy's frozen, bird-pecked mortal remains to greedy media hungry for sensational images. If he could be accorded the same dignity in death as are those soldiers of the First World War battlefields whose remains are still found in areas where the war was fought, then I would be less uncomfortable but that will not be the case. So my answer is: 'No, I'd rather he was left alone.'

Children and War: Toy Tank
Tank made from Woodbine cigarette packet.
Holley/Cornelius Collection, Bletchley Park
Ueli Steck
Swiss climber Ueli Steck on the North Wall of the Eiger, 2008, photographed by Robert Boesch ©
(not to be reproduced without permission from the copyright holder)
Waiting For Stanley
Toys waiting to be sorted
Objects for the showcases piled up on a table waiting to be given breathing space
Toys in a case
A corner of the toys' showcase with the penguin and the crane living happily side by side

While I'm on the warpath, I want to mention briefly the exhibition I have been working on that opened in Woodstock at the Oxfordshire Museum last month. We succeeded in squeezing a quart into a pint pot without, I hope, giving the sense that the exhibition was overcrowded. It is titled Children and War and it looks at all aspects of war and how that affects children's lives, both for the worse and the better. There is a lovely online version of the exhibition which you can visit. Cramming boy soldiers, innocent victims of war, commemoration, evacuees, asylum seekers, refugees and toys into a single gallery was a huge challenge but with the help of the very talented Glenn Howard, our designer, it worked. Borrowing works is always a pleasure and a delight for an exhibition organiser and especially so this time when dealing with Mark and Min at the Holley/Cornelius Collection at Bletchley Park. They lent us the bulk of the toys in the exhibition, including a doll's house that had been commandeered by a father from his daughter to teach his troops house-to-house combat, and a tiny model tank made out of a Woodbine cigarette box. If you are in the vicinity of Woodstock it's worth popping in. The exhibition is free and suitable for children from the ages of 4 to 104. Corny but true, believe me.

Alongside my other work I am currently Chairman of the Mountain Heritage Trust, which is growing and developing all the time into a serious and exciting project that takes care of Britain's rich climbing legacy. Everest is always going to be part of this story, which I suppose is why I got roped into joining the Trust seven years ago. This year, however, it is the second E, the Eiger, that will dominate. We are holding our big, annual, fundraising event at the Royal Geographical Society in London on 1st December and our two speakers are going to be Chris Bonington, talking about the history of the North Face, and Swiss climber and super speed merchant, Ueli Steck, who climbed the face in 2008 in 3 hours and 47 minutes. A staggering feat by any stretch of the imagination. There is more about that event on our newly jazzed up website www.mountain-heritage.org which got its overhaul at the hands of Glenn Howard – yes, the name will be familiar to you from Children and War – in July.

And the K? Well, that stands for Kendal. It's time for the annual mountain-fest of film, literature, extreme talking and drinking which runs for a weekend every November. Always entertaining, usually exhilarating and very often downright funny, it is a weekend not to be missed if you are interested in catching up with what is going on in the great outdoors. It is not just about photographs of people dangling from overhangs by a pair of ice hammers and the toes of one cramponed foot high above an icefall, or films of young, beautiful people slacklining high above Lake Geneva; it's also about the environment and mountain culture, about historical personalities as well as today's rock athletes. I recommend it as an invigorating weekend away.

There is another K, namely K2. Doug Scott ran a successful series of lectures last year for his charity Community Action Nepal, entitled First on Everest. This year he is launching First on K2 in Oxford and we anticipate it will be an equally fascinating event. I have to admit that Doug's energy makes me feel slothful by comparison. He is one of the busiest people I've ever met. So if you fancy finding out more about either E or K, then Mountain Heritage's website for the former and www.mountainfest.co.uk and www.canepal.org.uk for the latter.

Several times a week I get unsolicited emails from people, usually but not always in connection with my books. Some are poignant, others are crackpot and just occasionally the odd one is fabulously rewarding. One of the best came from a clown called Leela Bunce who wrote to me a couple of years ago to tell me about a show she was putting together called Waiting for Stanley which focused on a young woman during the Second World War waiting for her husband to return. She had read Stranger in the House and had found many of the stories moving and relevant to her research. Something about her energy and enthusiasm made me want to keep in touch with her and I'm very glad I did. On 16th October 2011 I went to the Greenwich Theatre in London with my friends Andy and Graham, to watch the premiere performance. It was absolutely remarkable: funny, agonisingly sad, shocking and brilliantly evocative. Some of the pieces in the performance (it was more or less all in mime) were breathtaking and I can only recommend you go to see it if it comes to a theatre near you. Leela and the director, Alex Parsonage, are very talented and their clever performance will appeal to anyone from about 8 years old upwards. Check out www.fingerinthepie.com/stanley if you want to find out more.

Setting up an exhibition is always a pleasure. After months and sometimes years of planning there is nothing more exciting than seeing the fruits of one's imagination realised. Although I am not artistic I have a strong visual sense and it is years since I have been surprised by how an exhibition looks once it is up. However, individual showcases or groups of objects still have the power to take my breath away, especially if they have been difficult to bring together in the first place. Moving an object 2 cm to the left or raising it a few millimetres on a Perspex plinth can make all the difference. Objects need to exist in their own space and say 'hey, look at me, I am the most important.' The showcase I am most proud of in Children and War in Woodstock is that of the toys. Everything from a wooden wobbly penguin to a large metal crane with wrecking ball hunkers side by side. There are over 20 toys in that case, which is far more than I would ever have dreamed of putting in a Henry Moore showcase for example. I wondered why this was and came to the conclusion that Moore's sculptures, even the maquettes, demand a lot of breathing space. He created them to be turned over in one's mind and one's hands. Their abstract forms are often not easy to read and they demand time. A pop gun or a wooden tank is a familiar object that is easily recognisable and so it tells its story more quickly and simply. It is not that those objects have less value, it is just that they need less introduction. They are part of the story rather than the whole. I still needed to fiddle and ensure that each was shown to its very best effect but the overall is as important as the individual. If you visit the exhibition I hope you will think it works.

Julie Summers

November 2011, Oxford

info@juliesummers.co.uk

  • 17-20 November 2011
    Kendal Mountain Festival

    I will be interviewing writers for the Boardman Tasker prize and introducing events throughout the weekend including the Mountain Heritage Trust 'Antiques Road Show'

    www.mountainfest.co.uk

  • 24 November 2011

    Aston Scott School will be reliving evacuation day and I will be attending as a guest speaker

  • 25th November 2011 at the Gateway Education and Arts Centre, Shrewsbury 11:30am

    Shrewsbury Book Fest When the Children Came Home

    www.shrewsburybookfest.co.uk

  • 26th November 2011 6pm Wayfarers' Club lecture in Ambleside

    Everest Needs You, Mr Irvine

  • 29th November History Channel

    When the Boys Came Home

  • 1st December at the Royal Geographical Society, London

    Triumph and Tragedy on the Eiger

    I will be introducing Messrs Bonington and Steck at this Mountain Heritage Trust evening.

    www.thebmc.co.uk/News.aspx?id=3766

After The War
Archive
Appearances at Book Festivals

These are some of the literary festivals that Julie has appeared at in the past few years.

  • Chalke Valley History Festival
  • Frinton Literary Festival
  • Appledore Book Festival
  • Banff Mountain Festival
  • Fowey Festival of Words and Music
  • HAY Festival
  • Jersey Festival of Words
  • Oxford Literary Festival
  • Telluride Mountain Festival
  • Ways With Words Festival of Words and Ideas at Dartington Hall
  • Woodstock Celebrates Books

Julie speaks at a variety of book festivals throughout the year.

Previous Projects and Appearances
April 2016
Julie talks about Home Fires with Jo Good on BBC Radio London.
August 2015
Julie talks with Brennan Nicolls on BBC South
Fashion on the Ration
March 7 2015
Julie appears on the Radio 2 Arts Show with Claudia Winkleman
Fashion on the Ration
March 1 2015
Julie talks about fashion during World War II with Julian Worricker
Jambusters
February 27 2013
Jambusters is the story of the Women's Institute and how they ran the countryside during the Second World War. In this video, shown on Wednesday 27 February 2013, Julie accompanies WI Member Sybil Norcott to discuss the book on the BBC One Breakfast programme.
25 March 2013
Julie and Jo Good discuss Jambusters and stories of the Women's Institute during the Second World War on BBC London 94.9.
After The War Was Won
November 29 2011

9pm, UKTV Yesterday (Sky 537, Virgin Media 203, Freeview 12)

After The War Was Won is the moving story of what happened to the brave men and women who fought for freedom in World War II. For many there was the sheer joy and relief of victory, the anticipation of a heroes welcome and some extraordinary reunions with loved ones. For some the end of the war was more bittersweet, as they returned home to a family of strangers, housing shortages and few career opportunities. In this one hour documentary the men and women who lived through the crucial post war years will reveal what it was really like to return from the front line to everyday life and start to build a new Britain.

This programme, narrated by Julie, is being broadcast on 29th November at 9pm, On Sky 537, Virgin Media 203, Freeview 12.

The Wildest Dream
The Wildest Dream is a major drama documentary about the final climb of George Mallory and Sandy Irvine on Everest in June 1924. Climbers Leo Houlding and Conrad Anker retraced Mallory and Irvine's steps, reaching the summit in June 2007. Julie is interviewed about Sandy Irvine in the film. The film was previewed at the IMAX cinema at the Science Museum in London on 29th March 2010 and very well received.
Chrome Radio
Julie is currently developing a number of programme ideas with Chrome Radio on topics such as traction engines, the Olympic Games and her most recent publication, Stranger in the House.
The Today Programme
August 15 2011
Julie was a guest on the Today Programme on Monday 15 August to discuss the themes explored by the film The Wildest Dream shown on BBC2 on Wednesday 17 August at 9pm.

Listen to the broadcast (mp3).

Woman's Hour
March 2011
Between 1939 and 1944, it's estimated around three million children left their homes and families in parts of UK territory thought to be under threat from German (or Japanese) aggression, and moved to places of greater safety. Often they and their parents had no idea where they were going nor when they'd be back. For many children brought up in deprived inner city conditions, life in the countryside was a revelation; for others, it was a disaster. And then there were the parents, who had to get used to living with an older, more grown up stranger once the war was over and the children came home. Jenni is joined by Julie Summers, who has written a book of evacuees' stories; and Sheila Shears and Jessie Nagel who were evacuees themselves. (Text © BBC)

To listen to this programme, click here. (Interview starts 22 minutes in)

Excess Baggage
October 2009
A few years ago Julie Summers travelled to the provincial town of Kanchanaburi, 90 miles west of Bangkok, to visit the bridge which her grandfather and 2,500 of his men had built over a period of six months from October 1942 to April 1943. He was the real life colonel on whom the character of Colonel Nicholson was loosely based.

Listen to Julie in conversation with John McCarthy talking about her experience of walking in her grandfather’s shoes. A clip from Anton Lesser’s evocative reading of The Colonel of Tamarkan introduces the conversation.

Woman's Hour
August 2008
At the end of World War Two millions of men returned home, many of them changed forever. Greeting them were women equally changed, by the privations of the Home Front and the trauma of the Blitz. A million children under five were re-united with fathers they’d never met. Many families were placed under huge strain as they grappled to adjust to life post war. In her book ‘Stranger in the House’ Julie Summers spoke to over a hundred women about how they coped when the men came home.

Jenni is joined by writer Julie Summers and her mother Gillian.

To listen to this programme, click here.

Radio 4 broadcast a selection of listeners' responses to this programme on the 4th September. To listen to this programme, click here.

Start the Week
May 2007
Beyond the River Kwai
November 2006
This 45 minute documentary focuses on life in the POW camps along the Thailand-Burma railway and looks at the role played by the chaplains and religion during the three and a half years of captivity. The programme draws on the leadership and example of Lt. Col. Philip Toosey and excerpts from THE COLONEL OF TAMARKAN, PHILIP TOOSEY AND THE BRIDGE ON THE RIVER KWAI will be used throughout. It will be presented by Terry Waite who drew on his own experiences of captivity when talking to the book’s author, Julie Summers, the lead interviewee for the programme, about her grandfather’s time in the POW camps. Terry Waite saw many parallels and was moved by the account of Toosey’s return to Britain after the war. They shared, by all accounts, the same traumas readjusting to life after captivity. Terry Waite summed up Philip Toosey as ‘a great man. A great leader, a man of stature and an inspiration to his men.’
Battle of the Books
April 2006
Julie appeared on Battle of the Books to defend Heinrich Harrer’s The White Spider against Joe Simpson’s Touching the Void.
Woman's Hour
September 2005
Also...
Julie is a regular contributor to BBC Radio Oxford, BBC Radio Merseyside and has done a number of local radio interviews in connection with her books.

Also: GMTV, BBC and ITV for a number of interviews in the 1990s.
Julie Summers and Chris Bonnington
Julie Summers and Chris Bonnington,
Harrogate Literary Festival, October 2017