A World in Your Ear

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When I started researching and writing Jambusters seven years ago I had no idea that it would lead me on such an exciting adventure which culminated in ITV’s drama series Home Fires. None at all. However, what I knew from fairly early on was that there would be an audio CD.

In 2014, Catriona Oliphant of award-winning ChromeAudio had asked me about recording an abridged version of Jambusters with excerpts from Ralph Vaughan Williams’ arrangement of Folk Songs of the Four Seasons, commissioned by the WI in 1949. I had worked with her twice in the past with great pleasure on Stranger in the House and The Colonel of Tamarkan, runner-up in Best Audiobook of the Year 2010.  Sadly Catriona developed breast cancer and the project was put on hold.

Meanwhile, many of us (6.2 million every week) watched with great pleasure the goings on in Great Paxford during the first year of the war over twelve episodes of Simon Block’s exceptionally well written drama. As you who follow the story will know, the drama is inspired by Jambusters but not based on the people I wrote about, such as Lady Denman, Edith Jones or Ruth Toosey. We see hints of the real-life, non-fictional characters in Frances Barden, Joyce Cameron, Alison Scotlock and Steph Farrow and the history, as I have said many times, is solid and accurate, both of the WI and the war itself. That was my role in advising on the scripts.

Home Fires

Despite a petition signed by over 30,000 people and endless letters and pots of jam sent to ITV they have resolutely refused to change their mind. The cast and crew were stood down in June and the costumes released to Angels. If there is a future for Home Fires it will be with another broadcaster at an unspecified time in years to come. For now Great Paxford is closed for business.

Fortunately there is a happy ending to the audio CD story. Catriona recovered from surgery and treatment and is now back at work – recently she has been working with the Department for Culture, Media and Sport on podcasts for the Somme Vigil in Westminster Abbey marking the centenary of the Battle of the Somme.  The audio abridgement of Jambusters is in its final edit and will be released in September.  The readers are the wonderful Samantha Bond and Fenella Woolgar. For those of you who know Home Fires, Samantha Bond played the fiercely proud, crack-shot WI president, Frances Barden. Fenella Woolgar, as Alison Scotlock, was the book-keeper wrong-footed by a businessman who took advantage of her brilliant brain and vulnerability over a huge vet’s fee to cook his books. Both actors commented during the filming of Home Fires that they had been moved by the incredible sense of community inspired by the WI in the war years. They also both told me that it had been one of the happiest productions they had ever worked on, not least because of the strong female-led cast. ‘We were ridiculously happy.’ Samantha said.

The recording of the audio was an equally happy process. Catriona (executive producer) and Alexa Moore (producer) loved the women in Jambusters and were delighted by the way they came alive when voiced by Samantha and Fenella – who will also help keep the spirit of Home Fires burning for those of us devastated by ITV’s decision not to continue with the drama.

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For me, the audio CD is a wonderful celebration of the WI and, in particular, the important part played by its members in keeping the country going during the Second World War.  The CD is also a very practical way of celebrating the WI.  The WI has charitable status as an educational organisation, but the future of its educational headquarters, Denman College, is in jeopardy because of worries over the cost of maintaining the Grade II listed building. When Catriona heard about the appeal within the WI to raise money for Denman, she immediately proposed donating £1 for every CD sold to the appeal.

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Denman College, the home of the WI’s education programme aimed at empowering and inspiring women

Catriona hopes to raise £10,000 for Denman College.  I am a great fan of Denman and will be spreading the word to help her reach her target.  I very much hope you will too. If each WI group were to buy a copy of the audio CD for its archive that would itself raise nearly £7,000 for Denman, before taking into account sales to family and friends.

If you are interested in purchasing a CD you can find more information here AudioCD. If you would like to get your name or that of a WI printed in the Jambusters CD booklet, please subscribe before 22 July 2016. The CD will be launched at an event at Denman College on 19 August and will be on general release from September.

 

 

Home Fires Last Word

ITV STUDIOS PRESENTS HOME FIRES SERIES 2 Pictured: FRANCESCA ANNIS as Joyce, CLARE CALBRAITH as Steph,RUTH GEMMELL as Sarah,FENELLA WOOLGAR as Alison, CLAIRE PRICE as Miriam, LEANNE BEST as Teresa.SAMANTHA BOND as Frances,FRANCES GREY as Erica and CLAIRE RUSBROOK as Pat. This image is the copyright of ITV and must only be used in relation to HOME FIRES SERIES 2.
FRANCESCA ANNIS as Joyce, CLARE CALBRAITH as Steph,RUTH GEMMELL as Sarah,FENELLA WOOLGAR as Alison, CLAIRE PRICE as Miriam, LEANNE BEST as Teresa.SAMANTHA BOND as Frances,FRANCES GREY as Erica and CLAIRE RUSBROOK as Pat. © ITV

I know that I am opening myself up to criticism by writing a blog about ITV’s decision to axe Home Fires after two series. However, I am determined to have my say. First I want to express my immense thanks to everyone who has shown support for the show on Twitter, Facebook and to me personally by email and phone. ITV’s decision came out of the blue to me and I was very sad.

The reason given yesterday was expressed by Janice Troup, head of publicity at ITV. She said: ‘We are incredibly proud of what Home Fires has achieved, but the ITV commissioning team continues to refresh the channel’s drama portfolio, hence the decision not to commission a further new series.’

Home FiresThat is obviously a bitter disappointment to everyone who loves the show but it does at least give us a reason. There are wild rumours flying around the internet and most of them make me smile. However, there is one I want to stamp on with the biggest pair of jackboots that I can find: History. I have read this morning that the reason ITV has axed the show is because the history is inaccurate. That is categorically not true. I cannot emphasise that enough. The history is the skeleton on which the drama is constructed. I’m talking about the dates, storylines and facts. There are two historical consultants, Terry Charman, and me. Terry worked at the Imperial War Museum for decades and is the leading expert in the country on the wartime Home Front. He was a consultant on Foyle’s War and his eye for detail is second to none. But he, like me, only advises on scripts. My background is also steeped in the history of the Second World War. I’ve been working in the field for 15 years and my specialist interest is in the Home Front from the women’s perspective. Believe me, the historical backbone to the scripts is solid.

ITV STUDIOS PRESENTS HOME FIRES SERIES 2 Pictured: ALEXANDRE WILLAUME as Marek. This image is the copyright of ITV and must only be used in relation to HOME FIRES SERIES 2.
ALEXANDRE WILLAUME as Marek Novotny ©ITV

The story of Miriam Brindsley leaving her son’s name off the National Registration form in September 1939 is based on fact. The Office for National Statistics confirmed with me that some 60,000 women left their sons names off the list in order to avoid them being conscripted. Not out of cowardice but out of fear for the slaughter they had witnessed in the last war. The Czechs in series 2 are completely authentic. In the summer of 1940 Churchill welcomed nearly 5,000 Czech and over 20,000 Polish forces into Britain as battle-hardened fighters with far more experience than the BEF. And deliciously for us, the Czechs landed in Liverpool, were sent by train to Bunbury and marched to Cholmondeley Castle in Cheshire where they spent the summer. As followers of Home Fires will know, Bunbury is the village where the fictional Great Paxford is set.

ITV STUDIOS PRESENT HOME FIRES EPISODE 5 Pictured: LEANNE BEST as Teresa. This image is the copyright of ITV and must only be used in relation the HOME FIRES on ITV.
LEANNE BEST as Teresa looking stunning as ever ©ITV

I will concede that there is a question to be answered about the use of language. It would be impossibly faux to make the actors use words and speak like my grandmother did in 1940. She had clipped consonants and very odd vowels. Really was pronounced ‘rarely’ and country sounded as if it had a deep sounding ‘unt’ in the middle followed by ‘tree’. I am not going to try and spell that out using a ‘c’ at the beginning. The script writer has to have the freedom to use dialogue which will not jarr with a twenty-first century audience but which will sound sufficiently accurate to match the period. It is a juggling act and I think by and large it works well.

The production team do a marvellous job at creating a wartime feel and I particularly want to single out Lucinda Wright who was the costume wizard for the first series. I think she created an outstanding wardrobe. The hair and make-up teams are also excellent, even though they did put me in a grey wig when I made my one and only cameo appearance. Bunbury dressed up in its wartime garb looks magnificent. So much so that when my eighty-seven year old father drove through the village  one day after filming he could not tell what had been altered to take it back in time. There are people in the audience who point out little inconsistencies, such as maize in Cheshire in 1940 or the D-Day markings on a Spitfire but sometimes there is no other possibility. The Spitfire question is one that gets some people hot under the collar but let me say that there are less than 50 Spitfires still in one piece. I know, I saw them at Goodwood last year and they are breathtakingly impressive, still. It is nearly 80 years since the Battle of Britain and given how many sorties the RAF was involved in between then and 1945 it is not surprising that there is such a small pool of planes to choose from. Unfortunately for us, no one in 1940 thought of tucking one away in a hangar for 75 years so we could film in 2015. And the maize. Well, there was maize grown in Britain in 1940 but not in Cheshire. However, when it came to filming there was no other crop available to be picked. Sometimes you just have to go with what is there.

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Farrow Farm in its wartime garb. I photographed this on my first set visit and was moved to tears by its authenticity © Julie Summers

Everyone on the series does their very best to get things right and historical inaccuracy is definitely not the reason for the show going. ITV is a commercial broadcaster and they will have probably made their decision for commercial reasons.

I would like to celebrate Home Fires. It has been the most thrilling experience of my career being involved in this wonderful series. And although I am sad that there will not be a third series on ITV, I would like to think that the show will live on in people’s memories as a great example of period drama. The cast have loved being involved and are as sad as the audience are. They were the first to spring onto Twitter and thank their six million loyal fans for their support. It has been heart warming and uplifting to hear so much passionate praise for them and Home Fires.

When I spoke to the Executive Producer, Catherine Oldfield, yesterday, she told me how sad she was and she apologised to me. Why apologise? I can’t thank her and her team enough for taking my book Jambusters and creating something of such sparkling brilliance. When I asked her whether she thought there was any future for Home Fires she said. ‘It is unlikely. But this is television. Never say never.’ So we can but hope.

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For now I want to end by saying thank you to everyone. To my friend Simon Block, the brilliant scriptwriter who conceived Home Fires, and his fellow writers. To Sophie Bicknell, the script editor, with whom I have exchanged over 1,000 emails. To the oh-so talented actors and to the extras who created such a glorious sense of community. To the production team who turned out day in day out despite the appalling weather of autumn 2015, and to the directors who made Home Fires burn so brightly. Finally thank you to all of you who have followed the series with such enthusiasm.

Aurevoir? I hope so…